暂无剧情简介

A sexy, suspense-driven legal thriller about a group of ambitious law students and their brilliant, mysterious criminal defense professor. They become entangled in a murder plot and will shake the entire university and change the course of their lives.

A woman meets the man that she wishes to never see again.

On the run in a post-apocalyptic Pacific Northwest, a young woman must choose between a chance with the girl she loves and saving another group member as a deadly threat closes in.

A look back at how the United Kingdom dealt with the Covid-19 worldwide pandemic, as well as the lasting social and economic repercussions.

In 1994 Nicole Brown Simpson and her friend Ronald Goldman were brutally murdered in her Los Angeles home by whom most believe to be O.J Simpson. But what role did Glen Rogers, also known as the Casanova Killer play in their death?

After a teenage girl's perplexing suicide, a classmate receives a series of tapes that unravel the mystery of her tragic choice.

17 Reasons Why should ideally be projected at 16 fps. It is far more enjoyable at this slower speed. 　　17 Reasons Why was photographed with a variety of semi-ancient regular 8 cameras and is projected unslit as 16mm. These pocket-sized relics enabled me to walk around virtually “unseen,” exploring and improvising with the immediacy of a more spontaneous medium. The four image format has built-in contrapuntal resonances, ironies, and beauty, and in each case gives us an unpretentious look at the film frame itself … the simple and primordial delight of luminous Kodachrome and rich black and white chugging thru these timeworn gates. N. D.

17 Reasons Why should ideally be projected at 16 fps. It is far more enjoyable at this slower speed. 　　17 Reasons Why was photographed with a variety of semi-ancient regular 8 cameras and is projected unslit as 16mm. These pocket-sized relics enabled me to walk around virtually “unseen,” exploring and improvising with the immediacy of a more spontaneous medium. The four image format has built-in contrapuntal resonances, ironies, and beauty, and in each case gives us an unpretentious look at the film frame itself … the simple and primordial delight of luminous Kodachrome and rich black and white chugging thru these timeworn gates. N. D.